THE EXORCIST - film analysis 1 of 3 by Rob Ager
Uploaded by: robag88
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In depth analysis of subliminal themes in the classic horror film THE EXORCIST.
For more analysis of classic films visit my site at http://www.collativelearning.com/index.html the exorcist william friedkin posession subliminal regan film review analysis horror rob ager
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That's an interpretation I've also considered (and not totally ruled out), but there's no more proof of that than the interpretations I've offered. Btw I def agree that Friedkin would be more likely to embed the abuse theme. He wasn't afraid of controversy at all.
But look, I don't mean to try to convince you; you have your opinion, run with it. I'm only trying to point out where you are less than persuasive. I'm perfectly willing to consider you have a point. I just think you're reaching.
Re: the 'pubic hair' line. We're going in circles here, but i'll repeat myself anyway. You don't know that it is just a throwback to the book or that Blatty intended it as comedy. Likewise I don't know that it's referencing abuse themes. The vid is there for your consideration.
To that I'll only say I'm glad you're not a lawyer. And no matter what you say, "alien pubic hair" is funny and clearly meant to be so. Academics should remember to lighten up. Nice work on FMJ, by the way.
Good talking to ya ... oops, we still have our debate on The Shining. I'll go over and check your responses now :)
'And no matter what you say, "alien pubic hair" is funny and clearly meant to be so. Academics should remember to lighten up' Ahhh come on. Don't spoil our discussion by resorting to petty insults. You're smarter than that. I have another account where I post crazy funny stuff with a few friends.
But I keep it seperate from this channel as I know some ppl would use it to try and discredit the analysis vids. Can we agree to disagree and leave it at that?
Actually, if you do think that the conditions you set forth for Dennings would count as motive for child molestation, than it was no joke -- thank God you're not a lawyer. But again, I only think your case is weak, not that you should agree with me. Go with God.
I never said it would secure a conviction. In a trial those conditions would be presented as evidence of motive and opportunity. How do I know? I've worked with sex-offenders. I've read the case files and heard them talk about their crimes and convictions. I've seen their behaviour. Your insults
are presumptious and unsubstantiated ... because you keep mistakenly assuming my research and experiences :)
However, in my opinion, I disagree. In the beginning of the film, when Regan isn't manifested by demons, she never gives any suggestions that she was molested. What happens to Regan is a result of evil spiritual forces. The way I interpret the crucifix scene is that Regan is essentially glorifyin
g her action. When she spins her head around, she basically says "I killed him like this." Friedkin isnt the type of filmmaker to incorporate multiple meanings.
Up until a couple of months ago, I always saw that scene as Regan manifesting another demon. Then my sister pointed out that her head spinning around was a way of the demon telling her mother that she killed Denning, hence, "Do you know what she did..." I will say; however, that you're theory is
very interesting. It certainly gives new meaning to the film.
Kubrick filmed it in 1962. Why would Friedkin/Blatty have had to resort to artifice if Nabokov/Kubrick didn't years earlier?
The presentation of abuse in Lolita is nowhere near as sadistic / visceral as The Exorcist so I don't think the comparison tells us much. Again, it's puzzling that Blatty / Friedkin never spoke of an abuse theme, it's also weird that so few reviewers ever noticed the consistency of sexual abuse r
efs, be they deliberate or accidental. Maybe that says something about audiences being able to block out the unpleasant.